Doctor Strange in the Multiverse of Madness

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We had already noticed in the output of the Eternals, the first in the history of the MCU to mention the name of a director (Chloé Zhao), which is followed by today that Sam Raimi: a micro-revolution! comprehensive happen in this universe franchise where the studio is the law and dictates it will try how to drive an opus primarily designed as a continuation of the previous and the trailer of the next.

It is not necessary to deceive: Sam Raimi is in itself an ingredient in the fan service, the developer being the proud father of the first, and now classic trilogique devoted to Spider-Man. It is necessary to admit: after 20 years of the reign of superheroes, the genre became one galaxy to the longevity such that we can detect in the arguments of a quarrel between the ancients and the moderns, as well as fatigue that leads it (for a long time already) to the active practice of recycling.

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The presence of Sam Raimi is, however, an argument that is fly, and will finally be able to excite a desire for a film of the MCU. Because, if one remembers his good and loyal services to projecting the paintings of Peter Parker on the big screen, it is because of its horror movie full of inventiveness which marked the fans and forged the pate of the director.

What to instil a new hue in an album that will as always do the job of a construction story in the archipelago, requiring knowledge of movies and series previous to identify all of the issues. On the plan of writing, Doctor Strange continues with this management of laborious arcs that are specially designed to ensure the monopoly of Disney on entertainment and require the viewer a credulity flawless, with a great number of books of spells, legends about the mountain of legendary powers, and other rules in order to be immediately avoided.

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The principle of the multiverse is in this very wicked: if it opens on a field of play without limits (as well illustrated by this crossing of the initial in which the artistic direction took a second on each universe, including the movie), it also allows experiments in scenarios that resemble mostly of drafts filmed live, in the image of all of this sequence in the illuminates. We present, we fight, we die in a quarter of an hour and one swipe: in fact, the MCU has in the register of beautiful decades in front of him.

Indeed, that remains the pleasure of the director to play with the codes of film horror while remaining within the limits of a movie that will stay for families. Big monster gooey enucleated, jump scares galore, dolly trembling, and the apparitions of demons punctuate with a certain degree of joviality on a marked trail of protagonists. The game spaces and the kaleidoscopes own the first one fades a little for the benefit of the witchcraft of Wanda, whose quest unreasonable turns out to be almost touching (Hdmp4mania).

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